13,509 views次瀏覽
Academy of Visual Arts視覺藝術院  |  Bachelor學士  |  2018
Acrylic, Oil, Soft pastels, Graphite, Crayon on Canvas塑膠彩, 油彩, 乾粉彩, 石墨, 蠟筆於帆布本   |  Drawing/Painting繪畫/油畫  |  Artwork藝術作品

I use element from printmaking to painting, which helps me a lot to explore the limitation of painting. Without printmaking, my painting won’t exist. The painting is not only an object I would like to draw, but there is an influence of my painting to me and what I want to tell actually. The painting created a dialogue with me. It shows emotions back to me.

(The text is provided by the student)
我從版畫當中找到我繪畫的方法,而兩者之間也是一直的互相受到大家的影響的。而繪畫的畫面本身不只是其本質而是一種相向的溝通,是畫面令我知道如何繼續下去的。之間情感的流動是一直在繪畫過程產生改變,記錄了故事的發展。

(本文由學生提供)

APA: MAK, Wing Sum Sammi麥穎森. (2018). To Somewhere We Have Never Been致 我們未曾踏足的一處. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011266
MLA: MAK, Wing Sum Sammi麥穎森. "To Somewhere We Have Never Been致 我們未曾踏足的一處". HKBU Heritage. HKBU Library, 2018. Web. 29 Mar. 2024. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011266>.

Persistent link永久網址  |  Library catalogue圖書館目錄
Caprice
FONG, Hin Nam
隨想
方顯楠
Radish
CHAN, Wai In
蘿白
陳慧妍
The Missing Parts
WONG, Ho Ching
The Missing Parts
黄皓珵
To Somewhere We Have Never Been
MAK, Wing Sum Sammi
致 我們未曾踏足的一處
麥穎森
Ineradicable Traces
CHOI, Sze Hung Janet
抹不去的痕跡
蔡司虹
Flâner
IP, Wing Yin
城市漫遊者
葉詠然
Objects in Ruins
FUNG, Ming Sum
廢墟中的物品
馮明心