13,434 views次瀏覽
Academy of Visual Arts視覺藝術院  |  Bachelor學士  |  2015
Oil on canvas油畫布  |  200 x 300, 200 x 150 cm200 x 300, 200 x 150 厘米  |  Drawing/Painting繪畫/油畫  |  Artwork藝術作品

Marks on objects usually become the record of human activities. The left behind objects in ruin village contained millions of stories of their owners. The abandonment has generated a mysterious atmosphere in the environment and the history of cold and heartless of human beings, generating a sense of horror. In my paintings, I would like to transform the horror into a sense visual power, help standing against their decay.

(The text is provided by the student)
破落的村莊,留下件件因人而出現,亦曾經與人相處良久的物件。那些物件不僅記錄著人的活動,承載歷史,也反映出人們的冷漠。不過,儘管變得孤獨,它們與自然的歧義,反而令它們在空間裡衍生出另一種視覺力量,對抗其枯毀。

(本文由學生提供)

APA: FUNG, Ming Sum馮明心. (2015). Objects in Ruins廢墟中的物品. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011093
MLA: FUNG, Ming Sum馮明心. "Objects in Ruins廢墟中的物品". HKBU Heritage. HKBU Library, 2015. Web. 29 Mar. 2024. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011093>.

Persistent link永久網址  |  Library catalogue圖書館目錄
Wherever they might be, they always remember that the past was a lie
HON, Hang Lam
無論走到哪裡,都應該記住,過去都是假的
韓幸霖
Mother's Bellies
HO, Yee Yan
犠牲
何苡欣
This and These, That and Those, Here and There. Then, it is.
MAN, Ying Sheung
它存在於這和那
文櫻瑺
Objects in Ruins
FUNG, Ming Sum
廢墟中的物品
馮明心
Paradox
YEUNG, Wan Lung
悖論
楊雲隆
The Fourth Seeing
CHAN, Cho Kiu
四色風景
陳楚翹
Back to Transformation
CHOW, Pui Ying Greta Tas
Back to Transformation
周佩瑩