15,582 views次瀏覽
Academy of Visual Arts視覺藝術院  |  Bachelor學士  |  2015
Glass玻璃   |  Glass/Ceramics玻璃陶瓷  |  Artwork藝術作品

Self portraits capture moments of our own self, with the emotion of those moments being flattened onto surfaces. These repressed images are transferred onto glass, then blown out and sculpted, to morph the flatten images into three dimensional objects. Through the process of tweaking and cajoling, my own self is reformed again, and I experience the struggle between myself and my ego.

(The text is provided by the student)
我把自己的肖像相片移印在玻璃上再把這些投射了我片刻情緒的平面影像,利用吹製和熱塑將其立體化,象徵我被壓抑的狀態和被委曲的現況。透過塑造的過程重新體現內心的掙扎。

(本文由學生提供)

APA: TSE, Lok Kwan謝樂筠. (2015). Form, Deform and Reform重‧組. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011124
MLA: TSE, Lok Kwan謝樂筠. "Form, Deform and Reform重‧組". HKBU Heritage. HKBU Library, 2015. Web. 29 Mar. 2024. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011124>.

Persistent link永久網址  |  Library catalogue圖書館目錄
This and These, That and Those, Here and There. Then, it is.
MAN, Ying Sheung
它存在於這和那
文櫻瑺
When East Meets West: Symbolism in Plants
MOK, Ting Yan
中西植物的象徵意義
莫庭欣
Vicious Circle
LAM, Lai Sha
生死之門
林麗莎
Form, Deform and Reform
TSE, Lok Kwan
重‧組
謝樂筠
Endlessness
CHAU, Wai Ting
無盡
周蔚庭
Mother's Bellies
HO, Yee Yan
犠牲
何苡欣
Self
WONG, Ming Sum Wesley
Self
黃銘心