Honorable Mention of Vitamin D Award維他命D獎 – 榮譽提名
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Academy of Visual Arts視覺藝術院 |
Bachelor學士 |
2024
Hand bound photo book, Handwritten letters, Glass book cover, Mono recording, Kiln-forming glass sculpture手工釘裝攝影集, 手寫信, 玻璃封面, 單聲道錄音, 窯燒玻璃雕塑 |
28.2 x 21.5 x 21, 23 x 16 x 3 cm28.2 x 21.5 x 21, 23 x 16 x 3 厘米 |
Mixed Media混合媒體 |
Artwork藝術作品
The artist created a series of works with Kwong Yuen estate, focusing on the exploration of the emotional connection between individuals and places, as well as the changes between them. This series includes a couple of different mediums, including recordings, glass sculptures, and a photography collection, every work shows the artist’s emotion and memories towards Kwong Yuen Estate, uniquely. The first part of the work is a recording extracted from “Living, Leaving”. The recording captured the conversation between the artist and her grandmother, discussing their feelings and impressions of Kwong Yuen Estate. From this conversation, audiences can feel the artist’s deep emotions towards this place and the gradual distancing of their connection with the Kwong Yuen Estate. The second part named “Unavailable Address” is a glass sculpture. An old mailbox with no address symbolizes the distance between people losing connection. The artist’s initiative was to provide an opportunity for people to write letters to those will never come across again; and to express the words, and emotions deep under their hearts. This work merged the characteristics of glass: transparent, and untouchable. Trying to let audiences associate with the similar status of memories, as well as the wall between people. The last part is a photo book named “The Rust”. This photo book captured the old Kwong Yuen. The artist invited her past good friend Sum to write her a letter, making it the preface of “Unavailable Address”. The letter showed their alienated and unrepairable relationship, revealing the artist’s pity for Kwong Yuen and the past simultaneously. This series explored the relationship between individuals and places and the bonding between people. The artist mixed her emotions and ideas into the work through different mediums, presenting a story about memories, leaving, and letting go. Through the works, audiences can review the bonding between them and people, and places they’re familiar with, eventually understanding their feelings of pity, and letting go.
(The text is provided by the student)
《鏽》、《寄不出的信》和《在我離開以前》系列作品聚焦於探索個體與場所之間的情感連結以及它們之間的變化。該系列包括錄音、玻璃雕塑、攝影集等多種媒介，每件作品都相互扣連地展現了藝術家對廣源邨的情感和記憶。作品融合了玻璃通透而不可穿透的特性，以背後的故事表達了失去聯繫的人們之間的距離和惋惜。透過作品，觀眾可以重溫自己與人、與熟悉的地方之間的羈絆，最終理解自己，釋懷、放下。
(本文由學生提供)
APA:
Cheng Suki鄭舜兒. (2024).
The Rust, Living, Leaving (Portion), Unavailable Address鏽, 在我離開以前 （局部）, 寄不出的信. Retrieved from HKBU Heritage:
https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011616
MLA:
Cheng Suki鄭舜兒. "
The Rust, Living, Leaving (Portion), Unavailable Address鏽, 在我離開以前 （局部）, 寄不出的信".
HKBU Heritage. HKBU Library, 2024. Web. 18 Oct. 2024. <
https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011616>.
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