Tuna Prize Special MentionTuna Prize 評審提名創作獎
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Academy of Visual Arts視覺藝術院  |  Bachelor學士  |  2014
Resin, Rice paper, Ink and Acrylic樹脂, 宣紙, 水墨  |  200 x 400 cm200 x 400 厘米  |  Drawing/Painting繪畫/油畫  |  Artwork藝術作品

I still remember when I took the train in Germany; I sat near the driver. The woods that were surrounding the train are so silent. For me, it was the first time travelling through a forest. During the journey, I thought the forest should be full of life and vitality. However, what I felt was the silence and well-arranged trees.The first thought came to my mind was the destruction from wars. This kind of silence was full of grief and pain. I had the same feeling when I walked through an underground street in Japan. I connect of my death experience and the grief. Also, we can see how the souls buried and transformed in the flourish city. This is what history tries to tell us and how worthy it is.

(The text is provided by the student)
我還記得,當我在德國乘坐火車;我坐在司機附近。圍繞著火車的樹林相當寧靜。這是我第一次旅程穿過森林。在旅程中,我以爲森林應充滿生命和活力。但是,我只感覺到一片寧靜和有序的樹林。我腦袋裏第一個想法是戰爭帶來的災難。這片寧靜是充滿了悲傷和痛苦。當我走過日本的地下街時,也有著同樣的感覺。死亡的經歷和悲傷與我連接在一起。而且,我們可以看見,靈魂如何被活埋和被轉移至繁榮的城市。歷史告訴我們的信息,説明歷史是值得尊敬的。
APA: NG, Sum Chi吳森枝. (2014). Endless Isolation無止盡. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-010898
MLA: NG, Sum Chi吳森枝. "Endless Isolation無止盡". HKBU Heritage. HKBU Library, 2014. Web. 04 Dec. 2023. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-010898>.

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