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Academy of Visual Arts視覺藝術院  |  Master碩士  |  2015
Paper   |  Installation裝置藝術  |  Artwork藝術作品
Since May of 2013, everyday, after I have read and digested a daily newspaper, I moulded it into a brick. If I could not finish it on that day, then it would be skipped.

A newspaper concretely records the daily information of a city, but also unilaterally. Its expiry date is frailly only "today". Within the process, day-by-day, all the memories, contents, value, meaning... had been washed as if they had never existed. What has it deconstructed? And what has it built? The only thing that can be seen, is the marks of living.

(The text is provided by the student)
自二零一三年五月開始,我每天用一份已被閱讀、被消化的的報紙,重塑成為一塊報紙磚頭。若當天未能完成,就只能跳過。

報紙既具體又片面地記載了一個城市的資訊,有效日期脆弱地就只有二十四小時。當發現它已經不在的一刻,就已經是「已經」了。日復日的過程中,所有記憶、內容、價值、意義……就好像不曾存在卻留著唏噓印象。消解過什麼呢?又重建了什麼呢?肯定的,就只有一個剩餘下來的現實。

(本文由學生提供)

APA: CHAN, Pak kin Brandon陳百堅. (2015). 24 Hours二十四小時. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011083
MLA: CHAN, Pak kin Brandon陳百堅. "24 Hours二十四小時". HKBU Heritage. HKBU Library, 2015. Web. 20 Oct. 2021. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011083>.

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