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Academy of Visual Arts視覺藝術院  |  Bachelor學士  |  2015
Glass, Wood玻璃, 木  |  400 x 20 x 50 cm400 x 20 x 50 厘米  |  Glass/Ceramics玻璃陶瓷  |  Artwork藝術作品
As a relative novice to the hot glass world, I keep exploring and pushing myself to "become friends" with the material and its techniques. Unexpectedly, it gives me something that I’ve never imagined: the endlessness of the glass cane, its twisting and turning, continue to fascinate me ever since I first saw it. Despite glass canes are commonly merely a raw material within the larger processes of working with glass, I feel that they have the potential to be much more: frozen evidence of a collaborative effort over time and gravity.

(The text is provided by the student)
作為一個吹玻璃的初學者,我不斷的發挖及推動自己和它磨合。玻璃給了我很多意想不到過的東西。我第一次見到這個扭紋時,感到十分驚歎,因為這紋理已顯出了無盡。然而,我並未以傳統的方式去利用這個紋飾,卻讓它停在此刻。因為它自身已顯出了地心吸力和時間的關係。

(本文由學生提供)

APA: CHAU, Wai Ting周蔚庭. (2015). Endlessness無盡. Retrieved from HKBU Heritage: https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011131
MLA: CHAU, Wai Ting周蔚庭. "Endlessness無盡". HKBU Heritage. HKBU Library, 2015. Web. 16 May. 2021. <https://heritage.lib.hkbu.edu.hk/routes/view/ids/HER-011131>.

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